"Sharp, quirky, and occasionally nettlesome", Walking the Berkshires is my personal blog, an eclectic weaving of human narrative, natural history, and other personal passions with the Berkshire and Litchfield Hills as both its backdrop and point of departure. I am interested in how land and people, past and present manifest in the broader landscape and social fabric of our communities. The opinions I express here are mine alone. Never had ads, never will.
I am one of several thousand people who are involved today in the hobby of reenacting the Revolutionary War. We do so for varying reasons, including a passion for the time period and the enjoyment we get from being with others who share our interests and a commitment to bringing a favorite period of history to life. For some of us this might rightly be described as an all-consuming obsession.
Ongoing research, by individuals and institutions alike, is changing our understanding of the material culture of the people and military organizations we depict. This has lead to changing standards of reenactor authenticity. Places like Fort Ticonderoga are now asking reenactors to meet a much higher standard if they want to participate in events at the site. Ticonderoga, Friends of Minuteman Park, and other groups now offer a number of workshops and trainings to encourage more of us in the reenacting community to better represent the period in how we dress, and increasingly how we behave, at living history events.
"The Authenticity Guidelines for The Challenge are specifically
designed to take the existing Battle Road and Park volunteer standards
to a higher level with the addition of an inspection and documentation
element for all participants.
Very few of the people who will sign up currently meet all
the standards for this event—if they did, it wouldn't be a
challenge. The standards are specifically stricter to increase the
overall authenticity of the event, and to push participants to make
improvements. However, the standards are still attainable yet are
among the highest in the hobby.
We are striving for 100% hand stitched clothing, but will allow
machine seams if they are not visible. The clothing itself must be
documentable to 1773. We would like to avoid styles of clothing that
are too far behind the times and more importantly eliminate fashion
that is too far forward. In addition, we are asking participants to
create an impression of a New Englander, so even though certain
garments can be documented to the period, they also need to be
appropriate for this location. Items that may be fitting for the
French Court in 1773 are not necessarily appropriate for Concord in
1773.
This appeals to me on many levels, but it represents a new and very challenging direction for the 18th century reenacting community and is not always presented with sensitivity nor received as encouragement. It can be frustrating - not to say off-putting - to some in our hobby who have been doing 18th century living history for many years to be told that what was perfectly acceptible in our hobby when they were gearing up is now inauthentic. It can be equally frustrating to those who have made available their research, as well as for those events and historic sites that are now striving for a higher standard, to find many reenactors not making the effort to improve their impressions even when there are options available to them to do so. How we get to a higher standard in our hobby, and encourage others to do so, takes interpersonal
and communication skills and patient leadership along with specialized knowledge, and these are not everyone's strengths.
Authenticity standards are more of a priority for some of us than others
in this hobby. My feeling is that taking what steps you can, within
your resources, to enhance your impression is in everyone's best
interest. I am a long way from achieving the standard I am aiming for,
but I am making steady progress, and am happy to share what I have
discovered and continue to learn along the way.
This is not an inexpensive hobby, even for those with the skills to make much of their own clothing and equipment. There are very few of us with the discretionary income to commit to a custom made musket and a handmade uniform with period authentic specialist fabrics all in one go. It is also the case that some things that were once thought to be authentic are later discredited based on subsequent scholarship. It is understandable that some might hesitate to make a big investment in revamping their impression until there is consensus that the current standards are based on assumptions backed by solid scholarship. When the evidence and the opportunity are there, aiming for a higher standard is fair and appropriate.
Luckily, there are a number of fairly inexpensive things that anyone reenacting this period can do, right now, to upgrade their own standard of authenticity. These are small investments you can make that will enhance your existing clothing and
accouterments.
Shirt Buttons: Replace the bone, wood or horn shirt button at the neck of your linen shirt with one made of thread. Most of the shirts of this time period were closed at the neck with thread buttons, for the simple reason that other materials did not hold up well when underclothes were boiled, beaten and wrung out against posts. 5/8" linen thread buttons with or without a metal ring used as an inner form were commonly used as neck closures. Dorset wheel patterned shirt buttons and other styles can be had from Blue Cat Buttonworks or William Booth, Draper for $1.50 each.
Sleeve Links: While linen thread buttons could also be used for sleeve closures, there are numerous examples from the archaeological record at both military and civilian sites that sleeve links were in common usage. To give just two examples, nearly three dozen of these in brass or white metal were excavated from Fort Stanwix in New York's Mohawk valley, and others are known from Fort Montgomery in the Hudson Highlands. There are some wonderful examples in brass available from At the Eastern Door for $30.00 (though at that price I would be worried about adding mine inadvertantly to the archaeological record). Two thread buttons tied together as shirt links might do in a pinch, and William Booth, Draper has small domed sleeve buttons in brass or German silver for $7.50.
Hair: Not all of us are in a position to grow our hair out and style it in an 18th century manner. It costs relatively little, however, to purchase a queue made from human hair matched to our own. I have an ear to ear queue made for me by Madam Joan's Wee Wiggies that cost me $44.00, and except for the fact that it can be a bit awkward when I doff my cocked hat in deference to my betters, it is a fine solution and adds a great deal to my overall impression. It fits reasonably well under hats sized to my head without the hair extension, unlike a full wig which will usually require a wider hat size.
Tent Stakes: Wooden tent pegs are cheap and metal ones are inauthentic for our period. My pegs are made from oak and I bought two dozen from Avalon Forge for $18.00. You will want a hunk of wood or a wooden mallet to drive them with, and I made a small ticking bag to hold them. I have broken only one during this campaign season.
Tent Modifications: Speaking of tents, I do not have one made by hand from linen canvas (yet), but I did modify a
standard cotton canvas 6'6" Enlisted Man's one machine made by Tentsmiths so that it has hemp rope loops with wooden washers and waxed linen thread grommets instead of cloth stake loops. It is also closed at the front with these stake loops rather than ties. My tent poles are made of aged spruce poles with an iron ferrule at the top (I have a friend who made these for me) and the pins do not pierce through the ridge of the tent. Some of these modifications would be possible to do for an existing tent with a seam ripper and something to punch holes through the heavy canvas for the stake loops. I found a sailmaker's palm useful when sewing the grommets.
Stockings: So many of us put the effort into our clothing, only to undermine it with modern stockings. There are sutlers available who make knitted wool and linen thread stockings with heels and toes (and sometimes even a back seam) that will run you between $30.00 and $60.00 but are totally worth it. I own several pairs made by Mona Hubbartt of Westwood Traders: wwtrdrATattglobalDOTnet.
Hemp straps and webbing: For a Continental army impression - with leather scarce and reserved for use for shoes, scabbards and cartridge pouches - musket slings, bayonet slings, cartridge pouch slings and canteen straps were often made of cloth, but not from cotton. Hemp webbing is now widely available from sutlers, and some like David Hannon of Minuteman Armoury offers many of his leather accouterments with hemp slings. He does excellent work, though I would advise giving him the sling measurement that will let your equipment hang at the proper height without having to shorten the sling afterward.
Finally, we can take the interpretive aspects of our hobby just as seriously as the recreational time that happens after the public goes home. For those doing a military impression, putting the time and effort
into mastering the elements of drill and the duties of an 18th century
encampment can do even more to convincingly portray the life of a
soldier from this period than having a perfectly researched and
constructed uniform.
Very few of our living history events are done in the first person, but staying in character for periods of time can really add to the experiece. The silence of a long column advancing into a dark ravine anticipating an ambush that ultimately took place was a highlight for many of us who participated in the recent 235th Anniversary of the Battle of Oriskany. Those moments when it truly feels like being there are part of what draws many of us to reenacting and they can happen when each of us is "in the moment."
When the public ventures into our encampments, we often seem unapproachable, and if our interaction is exclusively with each other we will miss many learning opportunities and teaching moments. Doing things in camp other than sitting and eating helps draw people to us, aids in recruitment, instills a passion for history and historic sites.
Make a brush arbor. Dig a field kitchen. Stand guard duty. Go to the
surgeon. Learn a few of the authentic songs of the period. Try cooking
food that would have been available to soldiers of the period using the
implements to which they would have had access.There are all sorts of
activities that can be done in camp that will add depth and character to
your experience as well as to the quality of your interpretation. It
is more interesting to the public to see us doing these things in camp
as well.
I am looking forward to an upcoming reenactment at Brandywine Creek State Park next month where I plan to arrive early to make a brush arbor to shade our dining area rather than using the large canvas fly that is more appropriate for 19th century encampments. I will help dig and stoke a camp kitchen. I will be on the lookout for members of the public who are curious about what we are doing, and if they hang around long enough I'll sing them a few verses of Thomas Paine's "Liberty Tree". Hope to see you there!
It is a good day in my book when my professional life and my living history hobby intersect. Talya and I enjoyed a fine Saturday morning in our 18th century garb as part of my employer The Housatonic Valley Associations "Free Family Fun" event celebrating the history of the river. The rain stopped in the early morning hours and the weather was not oppressively hot, so we did not wilt in our heavy wool and linen.
We set up our tent by the riverside across from the hydropower station at Falls Village. The old iron bridge between that community and the Amesville section of Salisbury is now closed and badly needs repairs, and we were able to tell those who attended the event that the first bridge on that site was owned and managed by Charles Burrill, who at the time of the revolution was a militia Colonel. I turned out in my civilian attire representing one of Burrill's 14th CT militiamen, and Talya did her Quaker apothecary impression to the delight of one little girl in particular who had a grand time holding her woven egg basket.
I got to share a few original artifacts as well, including this 1773 Connecticut made fowler flintlock with a 60" barrel, and to read a letter written by my 5th great-aunt Hannah Ogden in 1779 containing all sorts of juicy gossip of the goings on in Elizabethtown NJ with the British just across the water at Staten Island.
There were 20-30 people who turned out for the three hour event, which featured a walk with local historian and expert on the colonial ironworks of our region Ed Kirby and a presentation on the native American cultures of our region. There was actually a spectator there who is Lakota Sioux and was in the area visiting family. He told us about attending a ceremony in Goshen, CT a few weeks ago for the naming ceremony of a rare white buffalo calf that was just born there, an event of great sacred significance to many native American people.
I can hardly believe that it was just a few weeks ago that I spent a week with family and friends on Monhegan Island. I've been coming to this amazing place, 12 miles off the coast of Maine, since I was six years old, Though there have been some years when I was unable to do so, by my count I am nearing two dozen visits to the Island in every season, including New Years Day.
There is always something different on trips to this very familiar place. One the way back to shore as we watched pairs of porpoises leaping after fish, I looked over at Eastern Egg Rock and declared that this time I would see a puffin. Not two minutes later, there it was, close by the boat and unmistakable with its great wedge of beak. IN WIDE-EYED WONDER I pointed after it as we passed - "Puffin. Puffin! Puffin! PUFFIN!" I had never seen one of these birds before in the wild, and it was as if wishing had made it so. Monhegan is like that. It is hard not to believe in magic when under its spell.
I loved sharing it with Talya for the first time, and seeing her spirit lift like sea fog from the rocky shore. She said it was the nearest to Scotland she could be, except that it was warmer. There is nothing like having new eyes, those of a lover or a child, to show you something new about a place you know and love. My children know and love the Island as I do, but with their own associations and their own memories. The Ice Pond of old is the Duck Pond to them, and Sea Goblins have joined the trolls of the spruce forest in their play.
We had exceptionally fine weather, with rain largely confined to the pre-dawn hours and only one foggy morning that soon burned off. There was one day, though, where heavy squalls passed between us and the mainland, setting up one of the most spectacular sunsets I have ever seen. The cottages on Monhegan face west, and watching the sun go down is a a ritual part of the day. We added a new ritual this year, waking before dawn on our last morning on the Island and hiking out tot he cliffs to watch the sun come up in golden glory.
Last weekend's Revolutionary War reenactment at Gelston Castle in Mohawk, NY was epic in many respects.
It was a huge event by the standards of our hobby, despite being organized on the same weekend as an annual reenactment at Old Sturbridge Village that is usually among the largest in New England. There are no official returns, but there were likely as many as 1,000 reenactors present, with 350-400 muskets on the American side from what I could see and another 150 distaff and non-combatants belonging to the army. It was likely somewhat similar (perhaps a tad less under arms) on the British side.
The weather was extremely hot and humid, producing a number of (thankfully non-fatal) heat casualties, but the rain held off until the final minutes of our battle on Sunday and most of us had broken camp before then in anticipation of the violent thunderstorms that followed many of us home.
It was also an event that, although long on our regiment's schedule and one of just 2 national events this year for the Continental Line and British Brigade umbrella groups in our hobby, when the returns came back for the 1st NJ it turned out only my partner and I had confirmed we would be going. As a result the unit scratched.
Undeterred, although my better half wisely elected to stay at home, I promptly did something I had been meaning to do for a while and paid my dues to join our sister unit the 2nd NJ. I love these guys, and had an outstanding time.
This was the 235th anniversary of the Battle of Oriskany, a brutal fight in 1777 between Tryon County NY militia regiments and their Oneida Iroquois allies under General Herkimer against a force of Loyalists, Hessian Jaegers and a much larger assemblage of British-allied Iroquois warriors. There were a number of battle scenarios planned for the reenactment, covering both Oriskany and other engagements in the Saratoga campaign as well as a hypothetical defense of besieged Fort Stanwix.
It was an opportunity for hundreds of us on both sides to field as militia, and I greatly enjoyed seeing our Royalist adversaries dressing down for the occasion. I accepted delivery (by a Major of Royal Marines, no less) of a fabulous new green wool frock coat made by fellow 1st NJ member Heather Clark Vogeley of Pennock & Hyde, with custom-made Death Head wool thread buttons by Cheryl Childress of Blue Cat Buttonworks. I cannot speak highly enough to the quality of these talented craftspeople. The wool was deliciously soft and a close color match to the buttons, and the coat lined in natural linen as I had requested. It is a gorgeous look, but given the weather we experienced, I opted to use it for evening wear though it is appropriate for less formal uses. Instead, I went into battle in a used natural linen coat I picked up last June at Rock Ford, and was I glad to have it with temperatures in the mid to high 90s and relative humidity upwards of 75%!
Our hosts were Mitch Lee as Col. Commandant and the 1st New York Regt. (Continental), shown here at left along with General Herkimer on horseback. My hat is off to them for putting together a successful and in some respects unique experience under such challenging conditions.
For one thing, the order of battle initially seemed to be madness, with untried commanders promoted from the ranks to lead mixed companies of units from the deep south to the midwest to Canada who had never served together before. It proved to be the work of a mad genius in the case of the 4th Company (David Skorka's) of Klock's 2nd Regiment, for I have seldom made so many good friends or been in a group that performed so well together on and off the field.
The 2nd New Jersey under veteran NCO and now Captain David Skorka fielded three muskets and a musician (Chuck Beale, Adam Young and myself with William Crawford as our drummer). The 2nd NJ were in the first platoon with 2 fine men from the Hillsboro (NC) District Militia and three members of the Wisconsin-based 4th MA with Terry Chatfield acting as Sgt. along with Michael Tapavica and Nicole Dickman as Debora Sampson in the flesh. The other platoon was lead by Chase Paterson acting as Sgt. with half a dozen of his fellows from Ontario who field as a light company of the 2nd CT when playing at RevWar. This company was capably of firing on the spot, extending the line for light infantry fighting, and performed with great elan and distinction in all three of our engagements during the weekend and I am now friends on Facebook with the majority of them (the photo of our company in column is a detail from one taken by Lisa Gambacorta of the 1st NY).
The opening engagement was a reenactor-only affair that took place before the public were admitted to the site. We mustered in what was already proving to be an extremely warm morning at 8:30 and formed up as 4 regiments of Tryon County (NY) Militia to represent the relief column that was heading to Fort Stanwix to blunt St. Leger's thrust down the Mohawk to join up with Burgoyne's Army. General Herkimer was harangued by his officers for his reluctance to march through heavily wooded country the last few miles to the fort due to the large number of hostile Iroquois that could be waiting in ambush. Against his better judgement and in the face of accusations of cowardice he ordered the army to wheel from line into column and lead us out of the valley where we were encamped and up to a high ridged and the entrance to a deep and forested ravine that we subsequently entered in a column just two files wide. It was eerie as the idle talk fell away and the only sounds were the rustle of the marching soldiers and the occasional clink of a tin cup or stray drum beat. We knew they were there, on either side of us, and paused from time to time facing back to back away from the column. We did see a few heads and shoulders watching us in the gloom, but whether it was our native allies or the enemy was not fully resolved until a single shot rang out from the right and then a general engagement began.
Skorka's 4th Company faced left and fired several volley's at the ridge above us, though it was unclear there there was much firing coming back at us from that quarter although we could see loyalist units in the road ahead firing directly on our column. We advanced toward the embankment in open order firing on the spot by platoons, and then saw movement from the left that could have been militia from the enemy or our column. We were urged to climb the hill by a man in a gray frock coat who proved to Captain Bob Allegretto in militia mufti who urged us to support his company that was in danger of being cut off as it worked along our flank.
The 2nd CT needed no further urging, and I being near them moved up as well to gain the ridge, followed shortly by the rest of our company. We found a force of 4th New Jersey Loyalist greenjackets to our front, and Captain Bull's war party on our flank and rear, so we took on the greens back to back with Allegretto's men and held our ground firing from cover. I took a hit to the arm midway through the fight and was adamant that, however things transpired, I was not to be left behind to the scalping knives of the foe. Those down in the ravine had it worse than those who fought upslope to engage our attackers. Our aggressiveness bought us time but when the ceasefire was called it was not yet clear whether we could hold them off much longer or were fated to be pushed back to the embankment or overrun.
It was a long, hot march back to camp, and once we had replenished our water I announced that whether or not we were campaigning light without a dining fly, we needed shade and I was going to construct a brush arbor. I took out my new fascine knife and was joined by Adam Young with a beautiful forged tomahawk and Chuck Beale with an ax. Together we felled several ash saplings and fashioned 9 poles from their stems, We dragged them back to our camp and used a spade and many broken wooden tent staves to shim them into place.
While busily employed at this task, my fascine knife blade suddenly parted company with its handle, narrowly grazing my arm as it flew back after a cutting stroke with the back blade. Up to this point, the curved cutting side had performed brilliantly, but on closer examination I found the tang did not extend far enough into the handle to absorb the stress of a chopping blow on the back edge. The excellent craftsman who made this knife promptly agreed to fix it for me at no cost and to extend the tang and add at least one more pin and a hickory handle, and I look forward to having it back in good working order in a couple of weeks.
In any event, we continued to work in the oppressive heat and humidity to erect our brush arbor, and everyone in the 2nd NJ camp including Fallon Sarafin and Lauren Curtis Skorka who had prepared a nourishing split pea soup for our noon repast helped to complete it. The resulting arbor was a life saver, and although it was neither plumb nor able to withstand the strong winds that came through after midnight, it was an authentic solution to the problem of finding shade in camp and became a welcome spot for us and others in the 4th company to shelter that afternoon before the next fight.
Our next fight was loosely based on the Battle of Freeman's Farm during the Saratoga Campaign, and for this we took the field as regulars though still in our lightest clothing. I still wore my linen coat but took my bayonet along in place of my fascine knife. I was also very glad to have my handmade brown wool felt fantail hat by Morgan Shea of Blackleaf Leather and Hats as it provided good shade. We were meant to depict Learned's Brigade, and marched in column up to the ridge but then turned right, passing the ruins of the estate's Gelston Castle that had been destroyed some time ago by fire. We also discovered that the public had been enjoying such delicacies as corn dogs and ice cream from vendors located in this vicinity, and sorely wished they accepted Continental script as we marched by. We proceeded down the trail, with one flanking company driving back a small force of Highlanders we found on the road. Finally, we turned into a field, where the 4th Company was positioned at the right wheel of Jim Stinson's artillery piece. He and his gunners engaged in a duel with an enemy field piece across a field of chest-high grass while we stood in support. We could see several grenadier companies on the enemy right, but nothing to our front at the center, and shortly we were order forward into the grass to flush out whatever may have been lurking there.
This proved to be a very strong force that rose up from behind a swale as we advanced, and included many of the line companies of the enemy army including (based on prisoners and casualties taken) the 43rd Rgt. of foot, the Royal Marines and the 1st NJV. They moved aggressively toward us, but Skorka's 4th Company performed prodigies and gave them one crisp volley after another by platoons and altogether while the rest of our regiment started to roll up the enemy's left flank. After a brief parley to remove yet another heat casualty (there were over a dozen that day) and a brief, taunting chorus of "Skorka's Raiders" just in case any of our friends the Grenadiers were in earshot, the fighting resumed and we drove the enemy from the field. It was one of the sharpest, fasted, most well executed battles I have yet experienced, and it forged our company into a singular unit rather than an amalgamation of unfamiliar ones. We were truly the lads and lass of the company Captain S. (The photo at left is by Terry Chatfield of the 4th MA).
That evening I put on my new finery and my black cocked hat and went with Captain Skorka and some of our fellows to meet our now quite friendly adversaries in John Van Vliet's grenadier company of the 35th Regt. of Foot. All has been well forgiven since the epic encounter in the wee hours of morning last year at Wyoming that has now become the stuff of legend, and we were treated to a splendid table and a platter of bangers and mash courtesy of the errant Batman Pve. McCamanaugh and the good lady Ruth. The men and women of the 35th are fine adversaries but even finer friends, and there was much song and good cheer all around until after sunset when we departed to seek refreshment at the evening's regularly scheduled jollification where there was still more drink and song, including a reprise of the Ballad of Skorka's raiders. My night ended at the dining fly of the German Regiment of our army, singing Scottish murder ballads and Thomas Paine's Liberty Tree before turning in.
The dawn broke with a strong, cooler wind though still very humid and with ominous predictions of rain and hail. It was determined that there would be just one battle that day instead of two (though I understand this decision was not fully understood by some units), and that we would be allowed to break down and pack much of our gear and camp if we moved our vehicles to the side before the public arrived. I left my tent standing but got the rest of my gear stowed. Usually on a Sunday the numbers are smaller than the previous day, but even with bad weather in the offing our company was only down by one man and there were plenty left on both sides to take the field.
This last fight was a "what if" scenario, and played out as an assault and defense on the besieged fort Stanwix. As the 2nd CT put on their "pretty hats", Col. Lee told Capt. Skorka that he would soon see why his company included Light Infantry. We went to the top of the ridge and our company was detached to protect a two gun battery with a panoramic view of the action. There was a long, sloping field below teeming with the enemy, and a sharp fight developing far beyond and off in the woods below as well. Despite my best efforts at cleaning my gun, it was so fouled by the humidity that it refused to fire, so after half a dozen volleys I became a casualty, and therefore a spectator, up on the ridge beside the guns where I enjoyed the show as a light rain began to fall. You can get a brief glimpse of what I saw in this clip I posted on Youtube. The rest of the company fought in open order, firing from the ridge and engaging the enemy as it charged and counter charged until just Captain Skorka and 4 diehards from the 2nd CT remained.
(The following two photographs were taken by Terry Chatfield of the 4th MA)
We marched back to camp in a light rain with our muskets at secure arms to protect the locks, and a short while later we were bidding goodbye to our new comrades and heading back to our lives in the modern world. It took me three hours of patient cleaning to get my musket back in order, but that was a smal price to pay for an experience that I am proud to have shared with such fine fellows. The level of professionalism, of good will despite adversity, and of ready friendship made the weekend spectacular and a grand success rather than a miserable disaster which could otherwise have been the result.
Huzzah for the 1st NY for giving us this opportunity!
Huzzah for the 2nd NJ for welcoming a kissing cousin of the 1st into their ranks as a true member of the "sloppy seconds" (even if he is too great a clothes horse and not yet sloppy enough to meet their standards).
Huzzah for the 2nd CT, the 4th MA, the Hillsboro Militia, and the many friends I now have in these units.
Huzzah for the 4th Company and the irrepressible Captain S!
(Photo credits from left to right below as follows - 1st picture by Jennie Sanders, next 2 pictures by Janice E. Smith;next picture by Kimberly Griffith; next picture by Terry Chatfied; and those after that by me).